Madame Jazz: Contemporary Women Instrumentalists Leslie Gourse

ISBN: 9780195086966

Published: February 2nd 1995

Hardcover

304 pages


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Madame Jazz: Contemporary Women Instrumentalists  by  Leslie Gourse

Madame Jazz: Contemporary Women Instrumentalists by Leslie Gourse
February 2nd 1995 | Hardcover | PDF, EPUB, FB2, DjVu, AUDIO, mp3, ZIP | 304 pages | ISBN: 9780195086966 | 6.55 Mb

Nadine Jansen, a flugelhornist and pianist, remembers a night in the 1940s when a man came out of the audience as she was playing both instruments. I hate to see a woman do that, he explained as he hit the end of her horn, nearly chipping herMoreNadine Jansen, a flugelhornist and pianist, remembers a night in the 1940s when a man came out of the audience as she was playing both instruments. I hate to see a woman do that, he explained as he hit the end of her horn, nearly chipping her tooth.

Half a century later, a big band named Diva made its debut in New York on March 30, 1993, with Melissa Slocum on bass, Sue Terry on alto sax, Lolly Bienenfeld on trombone, Sherrie Maricle on drums, and a host of other first rate instrumentalists. The band made such a good impression that it was immediately booked to play at Carnegie Hall the following year. For those who had yet to notice, Diva signaled the emergence of women musicians as a significant force in jazz. Madame Jazz is a fascinating invitation to the inside world of women in jazz.

Ranging primarily from the late 1970s to todays vanguard of performance jazz in New York City and on the West Coast, it chronicles a crucial time of transition as women make the leap from novelty acts regarded as second class citizens to sought-out professionals admired and hired for their consummate musicianship. Author Leslie Gourse surveys the scene in the jazz clubs, the concert halls, the festivals, and the recording studios from the musicians point of view. She finds exciting progress on all fronts, but also lingering discrimination.

The growing success of women instrumentalists has been a long time in coming, she writes. Long after women became accepted as writers and, to a lesser extent, as visual artists, women in music - classical, pop, or jazz - faced the nearly insuperable barrier of chauvinism and the still insidious force of tradition and habit that keeps most men performing with themusicians they have always worked with, other men. Gourse provides dozens of captivating no-holds-barred interviews with both rising stars and seasoned veterans.

Here are up-and-coming pianists Renee Rosnes and Rachel Z., trumpeter Rebecca Coupe Frank, saxophonist Virginia Mayhew



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